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  • For Everybody
  • 46
  • 02:01:17


When it comes to weddings, we often are working at the worst times of day in terrible locations with subjects who never have enough time to do it the way we want. 

So, we develop all sorts of techniques that work for a broad array of situations. We need to solve these problems not only in ways that are better than our competition, but that are also different. In this session, we will focus on the extraordinary possibilities given by a simple, easy-to-pack, but increasingly rare piece of gear: The Monopod. 

With its help, we will show you how to achieve otherwise impossible lighting, completely impossible depth-of-field, and ludicrous points-of-view—in addition to the stuff you might think of when you hear "monopod."


Section 1